gaudi's famous church was breathtaking, to say the very least. nothing could have prepared me for it - not my high school spanish class, not my college art appreciation class or art history class - seeing it in person, right before my very eyes, was absolutely indescribable. we entered at the passion facade, a stunning portrayal of the last days of christ's life made to look stark and white and pointy, like bones and pain and sadness. we got the audio guide and learned about the symbolism and meaning that had been carefully built in to every single part of gaudi's church. the nave, a nonstop construction zone, was created to look like a forest. the supporting columns twist subtly and then branch out as they make their way up to the cieling, which looks like the forest canopy, and spaces between the leaves let the perfect amount of natural light in.
we took the elevator up to the top of the passion facade, which was an accomplishment for me, as i have an irrational and sometimes paralyzing fear of elevators, but how many times are you at the sagrada familia, right? so i took my chances, and it was more than worth it. incredible views of the city and of the rooftop details of the church were my rewards when we got to the top... and so as was a crazy winding staircase adventure to get back down. the first crazy winding staircase involved a narrow passageway and walls on either side of me, but the second one had only an outside wall and nothing to hold on to in the center; in fact you could see all the way down to the ground floor if you looked through the center (which alan told me not to do but i did anyway and immediately regretted afterward). i didn't have the guts to take a picture of that situation until i had my feet planted firmly on the bottom.
we continued our tour of the church, which took us around the nave and out to the nativity facade - if you've ever seen a picture of the sagrada familia, this is probably what you saw. it was the first and only part of the church that was finished before gaudi's death, in hopes of inspiring funding for its completion. the facade was designed to appear swollen and alive with the joy and love of christ's birth - again it was rife with religious symbolism and images from nature, and just absolutely awe-inspiring beyond words.
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